To celebrate the Lunar New Year and embrace cultural traditions, the Year 8 students have enthusiastically dedicated their Art lessons to practising the Chinese craft of papercutting. They used their prior learning in Mandala imagery and pattern-making to create intricate motifs of the “Golden Dog.” The process can be laborious and requires a lot of patience. The Year 8 students showed a lot of perseverance and care, to achieve some beautifully delicate and imaginative outcomes. One artwork was selected as the logo for the Dulwich Seoul Lunar New Year celebrations. The talented artist was Alix Kim 8JA, who created the beautiful papercut pictured. Congratulations Alix and well done Year 8 for your creative contributions.
Our talented students in Year 8 have certainly impressed this term as they produced work in response to a live brief provided by the Forgiveness Museum in Steyl, The Netherlands. The museum exhibits all kinds of pieces on the subject of forgiveness and reconciliation. It is also the only museum in the world that is focused on these theme's. Right now, their exhibition is especially focused on youth to encourage us to think about what forgiveness is and what it means in a world full of conflict and oppression.
We researched people who embodied or inspired forgiveness, and used our newly honed portraiture skills and mono-printing techniques to capture their likenesses. To emphasize our concepts further, we used transfer techniques to include quotes that encapsulate our message.
All year 8 students produced an outcome and twelve pieces were selected by the Year 13 IB Visual Arts students. Eric commented that he was “flabbergasted by the almost abstract nature of the layered portraits.” Whilst Yeonwoo was inspired by the students’ “impressive and sophisticated compositions.” It was the “imaginative and bold use of colour” that captured the attention of Felipe.
Congratulations to the following students, whose work will be exhibited at the Forgiveness Museum until February 2018.
All Senior School Art students have made an excellent start to the school year and have already produced some outstanding work. Year 13 have worked incredibly hard over the summer to ensure their portfolios are up to date and of the highest quality. Their positivity and commitment is setting an excellent example for the large cohort of Year 12 students who have just started their IB Visual Arts journey. As an introductory project, Year 12 have been challenged to “remake” famous artworks using photographic or digital means. So far, their ideas are very exciting! The IGCSE students in both Years 10 and 11 are making huge leaps of progress in terms of their pure drawing skills which is a key focus of their assessment. Key Stage 3 students are showing masses of enthusiasm and willingness to take risks. Traits that we encourage throughout their art education. Year 9 in particular, have shown superb skills and patience whilst tackling observational drawings of skulls. These drawings will form the basis of their own interpretation of a Vanitas- traditionally a still life rich in symbolism concerned with inevitabilities of life. Su Lee in 9FV, has so far created a wonderful study showing accuracy, skill and most importantly stylistic flair! (Pictured)
Well done, to all Senior School artists and thank you for making my first week at DCSL so welcoming!
"How lucky I am, that in my twelve years in this profession, I have spent four of them teaching Sebastian." says Shelley Swain, Head of Art and Graphic Design at Dulwich College Shanghai. She is talking about Year 13 student, Sebastian, who has not only been awarded a scholarship to the Rhode Island School of Design, but has just been shortlisted for the Saatchi Gallery Art Prize. The Saatchi Art Prize is a very prestigious art competition that attracts thousands of entries every year. From the 24,000 entries, just 20 artists were shortlisted, including our very own Sebastian.
Shelley continues, "His photograph entitled The Last Lesson, is a satirical remake of Da Vinci's The Last Supper and captures who Sebastian is as an artist and observer of the world. As a draftsman his drawings are exceptional, however, over the last two years Sebastian has often turned his back on his traditional fine art talents to pursue much riskier and challenging methods and pathways. Highly competent in both digital and hand-made media, his outcomes always offer an intelligent and often witty narrative. This is also a reflection of Sebastian's character. An unassuming student, it is easy to mistake his calm and reflective nature for shyness. However, upon engaging in conversations about his work, it is clear that he has a lot of confidence and charisma."
The exhibition of the 20 shortlisted works will take place 4th-13th July 2017 at the Saatchi Gallery, London. The winner and runner up prizes will be announced on the 4th July at an awards evening.
We offer Sebastian our warmest congratulations in all that he has achieved so far, and the very best of luck in his future endeavours!
“Creativity” article for The Shanghai Daily
We live in an ever increasingly visual and digital world. I believe passionately that a quality Art education is vital for young people to not only understand the world they’re viewing but to develop their own visual language in order to interact with it successfully.
A creative environment (be it a classroom or at home) should be a safe space for children to take risks and have their voices not only heard but encouraged. It is through positivity, reassurance and humour, that a positive climate can be created.
All skills develop over time and require practice. The more enjoyable we can make a creative session, the more likely a child will want to repeat the process. As a child gets older, it is motivation and resilience that will keep them practicing. Therefore, it is important that children know why they are doing something. “If we keep practicing gradual tonal change and accurate recording, soon you’ll be able to create a portait and then we can learn how to create expression!”
It is sometimes difficult to motivate children to be creative when they do not appear to show any interest in the Arts and would rather place their energy elsewhere (sports, academics etc). This is when it is most important to share the purpose of what we’re doing and find links to their existing interests. For a child who is very mathematical, creativity can come from rhythmic pattern based work including tessellations, rotations and repetitions. A child who is fascinated by science and dreams of being a surgeon can be persuaded into visual arts when highlighting the fine motor skills that are developed through paper cutting or origami; the same skills required by the best surgeons!
Looking at the work of others is often the most successful starting point when teaching or developing creativity. Whether its artefacts from other cultures, paintings from the 20th Century or installations from Contemporary artists, they will provide initial conversation and idea generation. This leads to the acquisition of a broad knowledge of cultures and artists as well as transferable analytical skills. Involving the work of others also provides context for the child; where do I fit into the Art World?
Through encouragement and purposeful direction, we can instill a love of learning and a lifelong appreciation and enthusiasm for the Creative Arts.